Wes Anderson (Wes Anderson) is a director who likes weirdos. He has mastered the art of dressing up the characters properly. But which outfits stand out?
Wes Anderson’s peculiar movies have a warm feel, and each scene looks like it was shot in a child’s beloved dollhouse. His special quirks can be seen in his latest edition of "French Express", his love of symmetry and the wardrobe of the past era are reflected in the three stories of this movie.
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The costumes in his films help give his character life and a sense of class, and the inhabitants of his world wear more tweed and corduroy than a group of philosophy professors in New England. He usually uses warm tones and soft color schemes to help his work stand out in the dark, gritty movie sea, and his typical medieval costumes also help some of Anderson’s character closets, usually played by Wes Anderson’s partners , Reach the icon state.
Wes Anderson entered the field of animation for the first time, and "Mr. Fantastic Fox" was hailed as one of the best stop-motion animation films. It also has some iconic clothing. One of the outfits is a rust-colored double-breasted suit worn by the nominal Mr. Fox, with a yellow collar shirt and matching pocket square.
The two-piece corduroy and his signature mustard sauce make the thief look neat, even if his grand plan makes his life more chaotic. On the occasion of Halloween, the first choice for Anderson fans, Mr. Fox’s daily attire is reminiscent of the director’s many live-action male protagonists, and the colors of autumn make it stand out.
After launching Juicy Couture velvet sportswear in the late 1990s, sportswear began to be seen everywhere. An unforgettable iteration with sportswear is the red Adidas sportswear worn by Chas Tenenbaum, which was copied to his two sons in The Royal Tenenbaums in 2001.
Unlike his siblings who tend to dress themselves more elegantly, Chas prefers a more casual look and even wears a black version at his father's funeral. His iconic appearance symbolizes his tendency to escape any negative emotions. After his wife's death, Chase replaced his usual suit with a red fire engine ensemble. Before Squid Games became popular recently, Chas had one of the most well-known sportswear in movies and TV.
Another noteworthy outfit by Fantastic Mr. Fox is Felicity Fox's mustard yellow dress with a bushel of bright red apples printed on the fabric. This knee-length dress has a large front pocket and is usually filled with art supplies or other household items used by humorous and serious matriarchs.
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Felicity puts a fox brooch on this dress, which is a detail in the re-creation of her iconic look by many fans. This dress is polished and has a slightly popular tweed in the later years. It feels like one of Anderson's many real-life looks. Its fruity pattern makes it instantly recognizable even by casual fans of the director.
In "Moonrise Kingdom," Anderson whimsically performed the forbidden love metaphor. 12-year-old Suzy Bishop wore her saddle performance and knee-high high school wherever she went. As a dream example of adolescence in the 1960s, her wardrobe has a variety of shades of pink and yellow simple collar dresses. These dresses gave her the most conspicuous accessories, a pair of binoculars, and a blank canvas for decoration.
The image of Susie on the lighthouse, the binoculars in her hand, has become one of the most recognized scenes in Anderson's career. "It can help me see closer, even if they are not far away. I pretend this is my magic," the solemn tween said in the film. The scene where Sam Shakusky pierced her ears with homemade beetle earrings interrupted her love of weird accessories and her sudden loss of girlhood.
Very similar to Suzy, Sam Shakusky's daily dress in Moonrise Kingdom is simple, but he can still be immediately recognized when he becomes a lover with his pen pal. The bottom of his khaki Boy Scout uniform fits the rest of the Ivanhoe camp well, with bright yellow scarves and olive green overalls with merit badges and other patches.
What makes the boy with glasses stand out in the soft green sea is his trustworthy raccoon fur hat and a few decorative buttons sewn on his shirt. Sam also wore his late mother's grape brooch and his uniform, and remained with him many years after her death. His choice of accessories demonstrates his adventurous spirit, and the raccoon hat is reminiscent of Davy Crockett and Daniel Boone among others. These personality touches show Sam's sentimentality and uniqueness, without dialogue.
Regardless of the role, each member of the Steve Zissou team wore the iconic light blue uniform with a bright red beanie to pay tribute to Jaques Cousteau who felt at home in Anderson's world. Everyone has a different view on appearance. Klaus Daimler of Willem Dafoe likes a turtleneck and shorts combination, while Steve wears a buttoned top with matching track pants with racing stripes on the side .
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For a film centered on teamwork, the matching outfits for Steve Zissou's "The Life Aquatic" make sense. Although the Zissou team had its dysfunctional moments on the high seas, the wardrobe they shared visually linked them together.
Ash Fox's heroic daily dress includes a white sweater, pants and makeshift shawl. Later in the film, a mask made of tubular stockings joined the ensemble, which is in stark contrast to his status in the family. The moody teenager tried to imitate his father, and this outfit might be Xiaozhi's way of dressing him up as his opinion of Mr. Fox: as a hero.
After Felicity's nephew Kristofferson arrived, he felt threatened because his cousin quickly performed well and was loved for their mutual relationship. Xiaozhi continues to prove that his costume is a hero, rescues Christopherson from Bean's farm, and helps his father outwit mankind.
Among the rich colors and quirky cast of the Budapest Grand Hotel in the 1930s, Agatha's soft tones and pleasant personality made the pastry chef a striking presence. As a diligent worker, her beige Mendl dress and pale face are often covered in flour, while her hair is tied up with milkmaid braids to avoid her sight. A dusty pink coat and blue scarf gave her some downplay and helped to contrast her with the saturated lobby boy uniform worn by her fiance, Zero Moustafa.
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After examining the love of his protégés, Mr. Gustav, who was taken away, gave her a blue ribbon and a pendant with the cross-key association logo, and thought she was a suitable partner, regardless of her most distinctive features What is it. That function? There is a Mexican-shaped birthmark on her cheek, and everyone except her beloved seems to have noticed it. This regional wine stain gives Agatha the whims and mystery required by each Anderson character, and enhances her unique beauty.
Like her brothers Chas and Richie, Margot Tenenbaum wears a special outfit every day. The difference between the siblings is their preferred style. The adopted Tenenbaum daughter likes items that are between youthful and charming. Margot almost always wore a fur coat and striped tennis skirt. This dress was like a young girl in dress, reminiscent of Margot's childhood uniform.
She matched each iteration of the dress with a circle of dark eyeshadow, and her college-style wardrobe only used a few brushes of mascara to become a bit advantageous. Margot's attraction to the familiar clothes in her wardrobe was only slightly more obvious than her dependence on cigarettes.
In the catalog full of browns, yellows and oranges, Zero Moustafa's rich purple lobby boy uniforms in "The Grand Budapest Hotel" stand out in the most positive way. The dark purple helps Zero visually establish contact with the other members of the hotel team, but the beveled hat embroidered with his title and beard made his youth more obvious.
When he stood next to Mr. Gustav, the well-dressed concierge of the Budapest Bolshoi Theatre, his temporary attempts at manhood were particularly shaken. But even without a real beard, Zero has proven time and time again that he is brave and loyal to Gustav and the hotel, and that he always has his masculinity.
Next post: 10 Wes Anderson trademarks in French Express
Samantha Savery is a film and TV writer. She likes blockbusters and small independent films. She likes period works, film musicals and supporting female filmmakers. Her work tends to focus on film and television, but she has experience writing about popular culture and overall art. Her desert island movies include Kiki's Delivery Service, Hercules, Funny Face, Little Women and Paddington franchises.